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Roofman
Channing Tatum, Kirsten Dunst, Peter Dinklage
The true story of the quirky yet charming serial thief, Jeffrey Manchester, who was once a U.S. Army Reserve officer. He became famous for breaking into over 60 McDonald's restaurants at night or in the early hours of the morning, entering through the rooftops. He would lock the early shift employees in the freezers and steal all the cash from the registers. During these crimes, he maintained a gentle demeanor and rarely resorted to violence. In 2000, Manchester was convicted and imprisoned, but he escaped. For months, he hid in a Toys "R" Us and a Circuit City store in North Carolina, living on baby food and riding a bicycle in the toy store to keep fit. Reportedly, he left his fingerprints on a Catch Me If You Can DVD in an electronics store, which led to his capture and return to prison. The film will focus on Manchester's months-long journey on the run and the love story that kept him from escaping it all.
Now You See Me: Now You Don't
Jesse Eisenberg, Woody Harrelson, Isla Fisher
A mysterious Tarot card pulls together two generations of a magic theft crew, eight magicians joining forces for the first time to battle a global-level criminal network behind the Blood Diamond family.
Fear Street: Prom Queen
India Fowler, Susanna Sun, Fina Strazza
Welcome back to Shadyside. In the latest installment of the bloody *Fear Street* series, the high school prom season is in full swing. The typical "it girls" are busy as usual, battling it out in their sweet yet brutal fight for prom queen. However, when a bold outsider enters the competition and other girls begin to mysteriously disappear, the class of '88 is suddenly thrust into a hellish prom night.
Jurassic World: Rebirth
Scarlett Johansson, Mahershala Ali, Jonathan Bailey
The story takes place five years after the events of *Jurassic World: Dominion*. The endangered dinosaur species are struggling for survival on a remote island, but hidden within them is a key gene that could bring medical miracles for humanity. To obtain this mysterious gene, an elite team infiltrates the forbidden dinosaur territory. However, what awaits them are unforeseen dangers and a shocking conspiracy.
Boys Go to Jupiter
Elsie Fisher, Sarah Sherman, Janeane Garofalo
The story tells the life of a teenage delivery driver whose life becomes complicated with the arrival of extraterrestrial beings.
MobLand Season 2
Tom Hardy, Helen Mirren, Pierce Brosnan
"Griselda's Turf" officially renewed for Season 2.
Splitsville
Dakota Johnson, Adrianna Ahoña, Kyle Marvin
After Ashley files for divorce, Kerry seeks comfort from his friends Julie and Paul, only to discover that the seemingly happy couple practices an open marriage. But when Kerry crosses boundaries, everyone's love lives spiral into chaos.
The Watchers
Kathryn Taylor, Marino Lupo, Shelby Hunstad
Luna is a troubled teenager who, when a mysterious entity begins to stalk her, is forced to navigate her dark past. She must unravel the corruption within Elmwood while balancing her escape from the vengeful spirits chasing her.
Scary Movie 6
Marlon Wayans, Dave Sheridan, Shawn Wayans
Paramount and Miramax announced at the 2024 Film Industry Conference that they will produce a rebooted new version of the film. Filming will start this fall, with a release planned for next year. Neil H. Moritz (producer of the *Fast & Furious* series) will serve as the producer.
Echo Valley
Julianne Moore, Sydney Sweeney, Kyle MacLachlan
This film tells the story of Kate Garrett, a woman on the brink of collapse due to personal tragedy. She seeks solace and healing at a secluded, picturesque horse ranch in Echo Valley, where she trains horses. One fateful night, her rebellious daughter, Claire, shows up at the doorstep, terrified, trembling, and covered in someone else’s blood. How far is a mother willing to go to save her child?
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Le Rendez-vous de l'été
2024 Paris Olympics. 30-year-old Blandine travels from Normandy to Paris to watch the swimming competition. Faced with the hustle and bustle of the city, she feels lost and nothing seems to be going her way. She navigates the chaos of Paris and experiences an unexpected reunion.
Friendship
A suburban dad falls hard for his charismatic new neighbor.
Clown in a Cornfield
A fading midwestern town in which Frendo the clown, a symbol of bygone success, reemerges as a terrifying scourge.
Den stygge stesøsteren
Elvira will stop at nothing to compete with her insanely beautiful stepsister. In this fairytale kingdom where beauty is a cutthroat business, she works blood, sweat, and tears to catch the prince's eye. This is a twisted take on the classic Cinderella story.
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The Penguin Lessons
In terms of form, it is Jean Reno's "My Penguin Friend" + "Dead Poets Society". The story is about the real events of the penguins superimposed on the horror background of the military government, and an artificial warm ending that British movies are good at. This makes people feel that the creative logic of this story is because they feel that the real penguin class story is too thin, so they try their best to add multiple meanings to the existence of penguins. In the end, the penguin became the link between the protagonist and everyone, the emotional food of the students, and the secret weapon to turn danger into safety. At the same time, it also has to bear the protagonist's allusion to his feelings in an unfamiliar environment. This responsibility is a bit too heavy. The film's allusion to the military government is also implicit, and it is not well compatible with the main line. The girl's return in the end is very dramatic, which makes the story have a strong fairy tale attribute. If some choices are appropriately abandoned, and the filming in Buenos Aires (the set of the film is too unsuccessful) may help the film perform better. But then again, the old lady and granddaughter line (although it may be purely fabricated to a large extent) is still delicate and makes people cry.
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The Shawshank Redemption
At the Oscars that year, it was overshadowed by the towering presence of Forrest Gump, but over time, this film has surpassed Gump in the hearts of many. Whenever reality leaves me exhausted and powerless, I revisit this disc and reignite my dreams. Without a doubt, this film ranks among the top three must-watch movies for men! Recalling that iconic line: "Some birds’ feathers are too bright to be caged, even by the darkest prison."
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The Godfather
I love this movie and all of the GF movies. I see something new every time I have seen it (countless, truly). The story of tragedy and (little) comedy that exists in this film is easily understood by people all over the world. This film has been called an American story however I have met others who have seen this movie in other languages and they seem to have the same love and appreciation for it that I do. I love the characters and all of the different personalities that they represent not just in families but in society itself. It seems like the entire cast is part of every other movie that I love as well. The sounds, music, color and light in the film are just as much a part of the film as the people. This could be attributed to the method in which it was filmed. At many parts of the film I can still find myself feeling the emotions conveyed in the film. I never tire of appreciating this film. I thank God that FFC is an American treasure. We are fortunate to have him.
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Balle perdue 3
The 15-minute prologue uses two action scenes, namely a motorcycle racing scene and an indoor action scene, to set the tone for the whole film. It doesn't pay much attention to the plot. If you like the style of the first two parts, you will definitely like the third part, which magnifies the advantages of the first two parts. But if you think the first two parts are not good, then you won't like the third part either. The action scenes are much better than the first two parts. The city car chase scene must be borrowed from Mission Impossible. In the end, everyone gets on the plane and sets off fireworks. There is another short segment at the end. In fact, I think the plot is still interesting. It's not as bad as I imagined.
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April
There are many straightforward birth shots; but the women in those shots are surrounded by doctors and illuminated by surgical lights. They lie on the operating table legally, but their bodies are still controlled. In the abortion scene before the rainstorm, the deaf-mute woman cannot yell. The nurse holds her hand. You can only see her body twisting and hear the sound of the cold instrument. About illegal abortion, about rape, about women's bodily autonomy, about medical conditions, about deaf-mute people... The director only shows the tip of the iceberg, but you can feel the iceberg buried underneath. In the end, the deaf-mute woman was killed, and the illegal abortion was exposed. The doctor accepted the questioning of his superiors. A bird hit the glass and died. I thought it would be fine if I was careful, but this is not true freedom.
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Sidelined: The QB and Me
In the interweaving of light and shadow, we see the diversity and complexity of life. Wonderful movies always touch people's hearts. Whether it is the ups and downs of the plot or the delicate portrayal of the characters, people are immersed in it. Movies are not only entertainment, but also an art. It brings us thinking and enlightenment with its unique perspective and expression. Every movie is like a dream, allowing us to temporarily escape from reality and enter a wonderful world. Good movies are worth savoring repeatedly, and new details and profound meanings can be discovered every time you watch them.
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Gündüz Apollon Gece Athena
In various movies from ancient times to the present, both in China and abroad, there are many stories that use the ghosts of the dead to conduct individual questioning, such as "Coco", which is based on the theme of family affection, "The Next Stop, Heaven", which uses individual memories to form a group image, and "The Sixth Sense", which uses horror to wrap up a warm core... "Apollo by Day, Athena by Night", a shortlisted film in the main competition unit of the "Temple of Heaven Award" at this year's Beijing International Film Festival, also spans thousands of years in this magical form. As the title suggests, this is a story full of mythology. In Greek mythology, Apollo is the god of light, prophecy, and disaster relief, while Athena is the god of wisdom and the patron saint of women. The two gods stand facing each other on the Mediterranean Sea, jointly guarding the small town of Side in Turkey. Psychic orphan Defne arrives here in search of her long-lost mother, accompanied by three souls from different eras: a Marxist revolutionary, a prostitute, and an ancient priestess. Delphine's journey to find her mother is also a journey for her and the three souls to break their obsessions. Delphine thought her mother had passed away, so she asked the souls that had been following her to help her find her mother's whereabouts, but she found that her mother lived a free and easy life and she was abandoned. The film does not portray this "atypical" mother as an object of public blame, but eliminates the social role of "mother" and allows women to return to their individuality. The reconciliation between Defen and her daughter is not achieved through the clichéd expression of debt and compensation. There is no imagined happy ending, nor too much resentment. The inheritance of the "psychic" ability has given their individual will a hint of divinity. From this moment on, Defen began to face up to her special mission and help the wandering souls fulfill their long-cherished wishes. The story of the ancient priestess is the most moving part of the film. She was burned to death for releasing a female slave in violation of the doctrine. She wandered in the historical relics of Side for thousands of years, and sent off her soul that no longer lingered in the world in the beautiful sunset unique to the Mediterranean, just like the incarnation of Athena. She forgot her own name and language, but was unwilling to become a person without words in history. She wanted all future generations to remember that there was a priestess who died for helping countless girls, and to remember her true fear and her ever-shining figure in that cruel history. "Apollo by Day, Athena by Night" is the feature film debut of Turkish director Emine Yildirim. It won the Best Film Award in the Asian Future Unit at the 37th Tokyo International Film Festival. Prior to this, Amina was already an outstanding screenwriter and producer, and her works have been nominated for many major international film festivals such as Busan, Berlin, and Cannes. She focuses on female narratives and intends to fight against the male perspective in this debut work. Although the film tells the unfinished stories of multiple souls and involves political issues such as the military coup and armed conflicts in Turkey in the 1980s, the overall tone is not heavy. It strikes a good balance between historical references, mythological metaphors, and realistic expressions. The mutual assistance and redemption of women across time and space makes the whole story particularly warm, and the portrayal of various mother-daughter/mother-son relationships is closer to life itself. Movie fans are welcome to watch "Apollo by Day, Athena by Night" during this Beijing International Film Festival. Cross the boundary between life and death in the soul ferry on the big screen and experience a special journey.
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Juror #2
When everyone thought that in his last film, Toki, as the "beneficiary" of the current political context, was going to stage a smug right-wing victory settlement, he actually went the other way and provided some progressive reflections in "Juror No. 2": for example, in the jury, the field where identity politics can be set up the most, the two most "stubborn" defenders of traditional family values (to some extent representing ignorant and stubborn rednecks) are played by black people; and when the defendant uttered the classic scumbag confession "I'm not the guy anymore, I have changed" in the stand, what quickly flashed by was the silent sneer of the two female prosecutors who knew the truth - a typical female subject perspective. In fact, this unprecedented thinking is by no means a trick. As the jury debate deepens, the film seems to be following the classic path of "12 Angry Men" and its many variations (it's funny, the opening scene of the female prosecutor picking up the phone even perfectly pays tribute to He Bing picking up the documents at the end of "12 Citizens"), and the early exposure of the male protagonist's crime breaks this pattern - what Dong Mu tries to do is to put everything in a swaying state. The so-called "rigorousness" has become a prejudice, and the theme of "justice" throughout the film has unexpectedly become a stumbling block to revealing or covering up the truth. This ambiguity takes root and sprouts meticulously all the way until the last scene, when it suddenly changes its form. Through the gaze of the ending, the simple moral binary opposition in "Sully" or "Richard Jewell" is re-exposed. In Toki's values, there is and only one "correct" way of moral narration. On this level, "Juror No. 2" has never hesitated in morality or conscience. This is a firm conscience. For this reason, the skepticism about moral truth in "12 Angry Men" is actually opposed and even abandoned by this film. The last time this kind of complementary and inseparable justice and truth appeared in a concentrated manner seems to be traced back to Fritz Lang (and the day I watched the movie was his birthday). So everything ends with such a gaze that follows the moral values of the black film nearly a hundred years ago. There is no more perfect farewell than this. From the gaze, we see the adhered traditions, ancient ethics and principles, and the fate of this country - after all, don't forget the identity of the male protagonist, he is the most decent conservative white male protagonist in Dongmu's usual narrative, and his evil has been planted from the beginning. Just like the close-up of the scale that appears in the opening animation and runs through the whole film, the old man has completed an atypical patriotic reflection in this way that is consistent with and breaks the self.
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Young Woman and the Sea
The heroine is resolute and brave, with a rebellious spirit and fighting power; the heroine's mother is strong and neat, with the ability to take action and independent thinking. The world does not belong to men or women, but to innovators who are indomitable and have firm beliefs. But apart from the expression of feminism, although the script and conflict are rigorous, the film itself cannot be said to be outstanding. In addition to many similar problems of flat characters, there is another mistake that second-rate biographical sports films often make: focusing on the time nodes and process of the protagonist's achievements, while being stingy with her personal efforts during this period. And there are many confusing plots in it. In addition, it is strange that this very "Hollywood" style neat film structure has a more abrupt ending. After reading historical materials and biographies with doubts, I found many adaptations that caused incoherence, irrationality, and even very bad plots: 1. The heroine's family is not poor, but "very rich". For example, when the heroine was a child, her family had a beach house, and she once paid $1,000 to learn a new swimming style from a female swimmer she met by chance. 2. Compared with the mother, the father was more supportive of the sisters' swimming career at the beginning. It was the father who advocated sending her to the swimming association. The mother changed her attitude only after the heroine achieved results. 3. The ship explosion at the beginning did inspire someone to believe that "women should also learn to swim", but this person was Charlotte (a female coach). She founded the Women's Swimming Association in 1917. As soon as the association was established, it received strong support and donations from all walks of life. 4. The person who actually trained the heroine in swimming was Handley, a famous feminist in the swimming world at the time who advocated gender equality. He also improved the freestyle stroke to make it more suitable for women. 5. The U.S. Olympic Committee has never sponsored a female swimmer. The sponsor has always been the Women's Swimming Association. 6. Coach Wolfe had various conflicts with the heroine due to arrogance, gender bias, personality incompatibility, training methods, and scheduling. The relationship between the two was extremely bad, and Wolfe even sexually harassed her more than once. But there is no evidence that Wolfe drugged her. This plot occurred because the heroine's diet plan during training, including the energy replenishment arrangements during the training, was made by Wolfe, so Trudy had doubts afterwards, but the diet was made by Trudy's assistant, so Trudy and the Women's Swimming Association did not publicly accuse her. 7. Wolfe did not try to contact the heroine during the crossing. After the heroine felt extremely nauseous and wanted to vomit, Wolfe insisted on ending the crossing and directed others to rescue the heroine and get her on the boat. This was confirmed by the head of the female swimming association who was also on the boat. 8. Trudy's two Channel crossings were planned one year apart 9. Before the second crossing of the channel, it was the heroine's father, not the coach, who promised the heroine that he would never stop unless she gave up. 10. The heroine encountered a shallow beach 5 miles from the coast, but she never had the choice of "swimming across alone". Trudy had to either turn with the boat and cross the current or give up. Coach Burgess and the captain chose the latter for safety reasons, while her father and sister insisted on the former. Finally, after her father explained the situation, Trudy chose to continue. 11. At that time, sports were becoming more commercialized. Women's sports, including women's swimming, were in full swing, and swimming across the English Channel was just one of them. While Trudy was training, many male and female swimmers were also doing this training, all with the goal of becoming sports stars like the heroine. 12. Before Trudy started to cross the English Channel, her father and sister made a series of plans and designs for the commercial value she might create, including endorsements and a large number of commercial performances. After Trudy succeeded, they received a total of more than $1 million in business offers. 13. After Trudy successfully crossed the English Channel, she delayed her return to the United States and went on a commercial tour in Europe with her family, mainly visiting her hometown in Germany. 14. More than 20 days after Trudy successfully crossed the English Channel, the family returned to New York, and Trudy received a tsunami-like welcome. But the day after returning to the United States, Gad Cossen became the second female swimmer to successfully cross the English Channel, and then another male swimmer broke Trudy's time record.
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